| St Michael's Church, St. Albans | |
St Michael's Church, St. Albans
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| Denomination | Church of England |
|---|---|
| Churchmanship | Broad Church |
| Website | www.stmichaels-parishchurch.org.ukm |
| History | |
| Dedication | St. Michael |
| Administration | |
| Parish | St Albans |
| Diocese | St Albans |
| Province | Canterbury |
| Clergy | |
| Vicar(s) | Revd Brett Gray |
| Laity | |
| Organist/Director of music | Richard Bond |
St Michael's Church in St Albans is a parish church in the Church of England.
Contents |
It is, based upon the writing of Matthew Paris, believed to have been originally founded in AD948 by Abbot Ulsinus of St Albans. There is some uncertainty about both the date and the Abbot, but there is no real doubt that the church, together with St Stephen's and St Peter's churches, was built at about that time to receive pilgrims and to prepare them for their visit to the shrine of St Alban within St Albans Abbey (now St Albans Cathedral). The three churches, all of which still exist as active places of Christian worship, stand on the three main roads into St Albans. St Michael's lies among the foundations of the old basilica (law-court) of Roman Verulamium, where Alban was condemned to die. In sending the first missionaries to Britain, Pope Gregory the Great had instructed them to build churches on important pagan sites, and it seems likely that this edict influenced the siting of St Michael's.
The original Anglo-Saxon church was likely to have been a simple timber structure, but was replaced soon enough (historians suggest around AD1000) by a more permanent building in flint and brick taken from the ruins of Verulamium. The Nave was a little shorter than at present, and the Chancel was much smaller. The outline of window openings in brick can be seen at a relatively low level inside the Nave and they can also be made out from the later North and South Aisles, as these walls were the original exterior walls of the 11th century structure.
The addition of the side aisles with their lean-to roofs in the early 12th century blocked off the first windows, and light had to be admitted to the interior of the church by new high-level clerestory windows. Access to the aisles was through new round-headed arches simply cut through the original walls. In the mid-13th century, the need for yet more space within the church led to the building of the Lady Chapel to the south-east, and this in turn blocked off the clerestory windows in the south-east corner of the church. The timber roof dates from the 15th century.
In more-or-less this form, St Michael's Church survived into the late 19th century, when Lord Grimthorpe[1] turned his attention to St Michael's. At his own expense, he extended the nave westwards and built the choir vestry on the south-west corner of the church and the tower on the north-west corner. The clock is also Grimthorpe's work and has a mechanism similar to that of the clock of the Palace of Westminster, responsible for the chimes of Big Ben. With minor modifications, St Michael's to-day is very much as Grimthorpe left it.
Two of the most noteworthy objects within St Michael's Church are connected with its most famous parishioner, Sir Francis Bacon.
Another noteworthy feature is the remains of a medieval Doom painting. Although generally believed to date from the second half of the 15th century[2], some sources believe the surviving wooden tympanum actually dates from the end of the 13th.[3]
The organ dates from 1981 and is the work of Peter Collins. The two oak organ cases that stand either side of Grimthorpe's west window were retained from the 1950 Mander organ.
The Church is still active today.